Le Grand Wazoo, Amiens, 1997
Our society, primarily based on wage-labour, rejects an increasing number
of people who, with no work and prepared to no alternative by a system only
preoccupied by profitability, find themselves idle, with no social existence
and with just no existence. This leads us to reconsider the whole social
architecture and search - or dream - alternative forms of life, obviously
far away from economical logic and even common sense. But the time of utopias
is gone. Now, no more ideological joke, high equals low until they serve
some interest; art is only tolerated when harmless while the department
store seems to be today's phalanstery. Therefore, it's nor about trying
to build a better world neither to cry after a lost harmony, but simply
about persevering in disturbing our social habits in order to perceive their
nature - and thus assume/take over their vacuity. Waiting room detached
from its function, pure waste place or unconsumable artwork, the Waiting
Room (Room For Lost Times) testifies about a possibility of existence aside
and against the logic of the market and the imperialism of efficiency.
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(Cover of the booklet, Le Grand Wazoo, Amiens, 1997)
Context : Amiens (Fr.), 80 000 inhabitants, 130 km north of Paris, about
25 % unemployment, many left-overs from an industrial past, highest suicide
rate in the french police. The viewers, responding to the card announcing the
opening of The Room For Lost Times (La salle des temps perdus) were expecting
an exhibition. They found a basic waiting room with nothing to wait for,
and just a table covered with copies of the booklet.